SKU: 53417100032

Vetus Bullauge Typ PL, ultradünn

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Description

Vetus Bullauge Typ PL, ultradünnTyp PL Vetus Bullauge Diese AI Bullaugen sind Allesknner Diese Bullaugen sind fr alle in der ISO Norm aufgefhrten Bereiche geeignet, auch fr den Einsatz in der Rumpfseite. Die 10 mm 'rauchfarbene' Scheibe lsst sich ffnen und ist in einen satinierten eloxierten oder schwarz pulverbeschichteten Aluminiumrahmen eingesetzt. Die Klemmbefestigung stellt sicher, dass weder von innen noch von auen Befestigungs elemente sichtbar sind. Die Bullaugen werden

 Typ PL - Vetus Bullauge

Diese AI Bullaugen sind Alleskönner

Diese Bullaugen sind für alle in der ISO-Norm aufgeführten Bereiche geeignet, auch für den Einsatz in der Rumpfseite.
Die 10 mm 'rauchfarbene' Scheibe lässt sich öffnen und ist in einen satinierten eloxierten oder schwarz pulverbeschichteten Aluminiumrahmen eingesetzt. Die Klemmbefestigung stellt sicher, dass weder von innen noch von außen Befestigungs- elemente sichtbar sind. Die Bullaugen werden aufgrund der Friktionsscharniere in jeder Position offengehalten.

Die neuen ergonomischen VP000044-Knöpfe gewährleisten in geschlossener Position vollständige Wasserdichtheit. Das Bullauge bei einer Wandstärke von 2 bis 18 mm eingebaut werden. Standardmäßig wird ein Mückengitter mitgeliefert.

Die häufig nachgefragten Optionen sind unter den Bullaugentypen aufgeführt. Für weitere Optionen senden Sie eine Anfrage an VETUS.

 

Typ PL-Reihe (AI) Ultra-schlanke Bullaugen

Neu bei VETUS: ultraflache Bullaugen, geeignet für Wandstärken von 2 - 20 mm.

Die Bullaugen der PL-Serie sind zum bündigen Einbau geeignet, und sehen wie „fritted glas” aus. Sie eignen sich für den Einbau in verschiedene Materialien. Trotz ihrer schlanken Bauform sind sie nach wie vor AI CE-geprüft, d.h. sie sind für alle in der ISO-Norm aufgeführten Bereiche verwendbar! Diese ultraflachen Portlights können Wandstärken von 2 bis 20 mm verarbeiten. Geeignet für den Bereich AI.

 

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SKU: 53417100032

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4.4 ★★★★★
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T
The Art and Making of
Cuba, US
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review. (For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 10, 2018
R
Reverend Skull
New York, US
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2009
M
Max
Fort Morgan, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Phoenix, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Omaha, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003

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