SKU: 47625257940

Soundtrack - Halloween OST

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Soundtrack - Halloween OSTNew Vinyl Record Soundtrack Halloween OST Halloween Original Soundtrack John Carpenter When the new Halloween movie hits theaters in October 2018, it will have the distinction of being the first film in the series with creator John Carpenter's direct involvement since 1982's Halloween III: Season of the Witch. Carpenter serves on the new David Gordon Green directed installment as an executive producer, a creative consultant, and, thrillingly, as a

New Vinyl Record - Soundtrack - Halloween OST

Halloween Original Soundtrack - John Carpenter - When the new Halloween movie hits theaters in October 2018, it will have the distinction of being the first film in the series with creator John Carpenter's direct involvement since 1982's Halloween III: Season of the Witch. Carpenter serves on the new David Gordon Green-directed installment as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his three recent solo albums, Cody Carpenter and Daniel Davies. The new soundtrack pays homage to the classic Halloween score that Carpenter composed and recorded in 1978, when he forever changed the course of horror cinema and synthesizer music with his low-budget masterpiece. Several new versions of the iconic main theme serve as the pulse of Green's film, it's familiar 5/4 refrain stabbing through the soundtrack like the Shape's knife. The rest of the soundtrack is just as enthralling, incorporating everything from atmospheric synth whooshes to eerie piano-driven pieces to skittering electronic percussion. While the new score was made with a few more resources than Carpenter's famously shoestring original, it's musical spirit was preserved. "We wanted to honor the original Halloween soundtrack in terms of the sounds we used," Davies explained. "We used a lot of the Dave Smith OB-6, bowed guitar, Roland Juno, Korg, Roli, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano." Unlike the Lost Themes albums, where the composers wrote the soundtracks for imaginary movies, Halloween saw the Carpenters and Davies collaborating on music set to images for the first time. Though it marked a significant change from their previous creative process, the trio thrived under the constraints and tight deadlines that film scoring work demands. "Being limited by the length of time in scoring the sequence, we focused on the director's tempo, timing, and vision," Davies said. "He would tell us what he had in mind, how long the cue should be, what emotion he wanted, and we would take it from there. It's only the three of us, there is no elaborate system. We wrote, performed, and orchestrated everything." For John Carpenter, who reunited on the new film with original Halloween star Jamie Lee Curtis, composing the score felt like a homecoming. Not only had he not worked on a Halloween movie in 35 years, he hadn't composed a soundtrack since his 2001 sci-fi thriller Ghosts of Mars. "It was great," Carpenter said of the experience. "It was transforming. It was not a movie I directed, so I had a lot of freedom in creating the score and getting into the director's head. I was proud to serve David Gordon Green's vision." For Cody Carpenter, John's son, and Davies, his godson, it was surreal to work on something that means so much to generations of fans, and that they grew up around. "It was an honor for us to be involved, and we are really happy to be a part of something that so many people are anticipating and excited about," Davies said. "Working together with both the director of the new Halloween and the creator of the original Halloween was really a fantastic experience."

  • 1Intro
  • 2Halloween Theme
  • 3Laurie's Theme
  • 4Prison Montage
  • 5Michael Kills
  • 6Michael Kills Again
  • 7The Shape Returns
  • 8The Bogeyman
  • 9The Shape Kills
  • 10Laurie Sees the Shape
  • 11Wrought Iron Fence
  • 12The Shape Hunts Allyson
  • 13Allyson Discovered
  • 14Say Something
  • 15Ray's Goodbye
  • 16The Shape Is Monumental
  • 17The Shape and Laurie Fight
  • 18The Grind
  • 19Trap the Shape
  • 20The Shape Burns
  • 21Halloween Triumphant
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SKU: 47625257940

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GymBum
San Leandro, US
★★★★★ 5
Great little speakers
Size: 5.25” Woofer, Size: 5.25” Woofer
These make great surround speakers, and they just sound good
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Reviewed in the United States on May 22, 2026
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Z The P
Boise, US
★★★★★ 5
Good Speakers - Good Reputation - Good Purchase
Size: 5.25” Woofer
Good sounding, high quality speakers. These are Klipsch...enough said.
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Reviewed in the United States on March 31, 2026
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Hatem
Draper, US
★★★★★ 5
Klipsch R50 M next generation
Size: 5.25” Woofer
In spite of small size sound is very nice iam using it with a subwoofer and with my yamaha A4A AV receiver i like it iam hearing mostly heavy metal and the speakers have a nice punch and attack
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Reviewed in the United States on February 18, 2026
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Yaniv.F
Carnegie, US
★★★★★ 4
compact surrounds that blend well with the right setup
Size: 4” Woofer
I picked up the Klipsch R‑40M as part of a full 5.1 system built around the R‑50M fronts and the R‑50C center. My original plan was to use another pair of R‑50M speakers in the back, but they simply didn’t fit in the rear cabinet space I have. The R‑40M ended up being the only model that fit comfortably, so they became my surround channels. In terms of build quality, they feel solid and consistent with the rest of the Reference Next‑Gen line. The copper woofers and updated horn design give them the same visual identity as the larger models, which helps the whole system look cohesive. They’re compact enough to place in tighter spaces without compromising too much on performance. Sonically, the R‑40M does a respectable job as a surround speaker. Effects are clear, directional cues are easy to follow, and they integrate smoothly with the more powerful R‑50M fronts. That said, they are noticeably less powerful than the R‑50M, so you need to spend a little time balancing your levels. Once I bumped their channel trim a bit and adjusted the distance settings, the rear soundstage locked in nicely and felt much more even. They won’t deliver the same fullness or dynamic punch as the larger models, but for rear channels that’s usually not a deal breaker. What matters is clarity and consistency, and the R‑40M handles both well. Movies with active surround mixes feel immersive, and ambient effects wrap around the room without calling attention to the speakers themselves. If you’re building a system where space is limited in the back, the R‑40M is a practical and capable choice. Just be prepared to fine tune your calibration so they match the output of the bigger speakers up front. Once dialed in, they round out a 5.1 setup very effectively.
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Reviewed in the United States on January 22, 2026
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Integrion
Boise, US
★★★★★ 5
Great Bang for the Buck!
Size: 5.25” Woofer
These R50 Studio Monitors are worth every penny. One could easily spend a heck of a lot more to get less. Have been a pro audio engineer my entire life. These monitors kick out clean, solid bass and accurate highs. Klipsch did a excellent job designing these monitors. Perfect for smail spaces where fidelity is critical. If you wall mount these, make sure you leave at least a 1.5 inch air gap between the back of the monitor and the wall. These units are sweet.
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Reviewed in the United States on July 22, 2025

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