SKU: 54585179473

Roberto Matta - Les Oh Tomobiles - plate II

Sale price$562.50 Regular price$625.00
Save 10%

Pay in installments of $156.25 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Aug 26 - Aug 31

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Roberto Matta - Les Oh Tomobiles - plate IISigned and numbered e. a. 5 10 in pencil, lower margin, from the artist's proof edition of only 10. This print is in outstanding condition, never having been framed. Printed and published by Georges Visat, Paris, in 19 72, for the exhibition "L'entre est la Sortie." Catalog raisonee Sabatier 286, 305 306 and 308 314. This work will be shipped free of charge, if within the US. If shipped internationally it will be a flat rate of $80. Like Salvador Dals

 

Signed and numbered e.a. 5/10 in pencil, lower margin, from the artist's proof edition of only 10. This print is in outstanding condition, never having been framed. Printed and published by Georges Visat, Paris, in 19 72, for the exhibition "L'entrée est à la Sortie." Catalog raisonee Sabatier 286, 305-306 and 308-314.

 

This work will be shipped free of charge, if within the US. If shipped internationally it will be a flat rate of $80.

 

Like Salvador Dalí’s The Persistence of Memory (1931), Crucifiction (1938) by Chilean painter Roberto Matta is considered a Surrealist masterpiece. Indeed, Matta was heavily influenced by Dalí and Yves Tanguy, and became an important figure in the evolution of Surrealism, painting dreamlike, internal "inscapes" early on and, later, intense compositions reflecting the psychic damage caused by Europe’s ongoing wars. Shifting biomorphic shapes painted or drawn in vivid colors populated Matta’s often-apocalyptic scenes, conveying confusion and angst. Additionally, Matta's style and willing exploration of the Surrealist philosophy of "automatic composition" heavily influenced the development of the Abstract Expressionist school’s exploration of Action painting. It was noted at the time that ‘Matta’s lively and comic imagery records his observations and effects of 'Mobilisation on the human condition’, and that the quality of the works was undeniable: printed on Arches paper in the studio of Georges Visat in Paris in 1972, an edition of only 100, and each signed and numbered by the artist. Editions of Les Oh! Tomobiles can be found worldwide in collections such as the Museum of Latin American Art in Long Beach, California.

 



Roberto Sebastián Antonio Matta Echaurren (November 11, 1911 – November 23, 2002), better known as Roberto Matta, was one of Chile's best-known painters and a seminal figure in 20th century abstract expressionist and surrealist art.
Born in Santiago, he initially studied architecture at the Pontificia Universidad Católica de Chile in Santiago, but became disillusioned with this occupation and left for Paris in 1933. His travels in Europe and the USA led him to meet artists such as Arshile Gorky, René Magritte, Salvador Dalí, André Breton, and Le Corbusier. Matta was of Spanish, Basque and French descent. It was Breton who provided the major spur to the Chilean's direction in art, encouraging his work and introducing him to the leading members of the Paris Surrealist movement. Matta produced illustrations and articles for Surrealist journals such as Minotaure. During this period he was introduced to the work of many prominent contemporary European artists, such as Pablo Picasso and Marcel Duchamp.


The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, such as Invasion of the Night, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. This is also the period of the "inscape" series, and the closely related "psychological morphologies". Prof. Claude Cernuschi (see Boston College Matta exhibition external link below) writes, "Matta's key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space: the 'inscape'." According to the essay on Matta in Crosscurrents of Modernism (see references below), the inscapes' evocative forms "are visual analogies for the artist's psyche" (p. 241). During the 1940s and 1950s, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. The addition of clay to Matta's paintings in the early 1960s lent an added dimension to the distortions.



Matta's connections with Breton's surrealist movement were severed following a private disagreement concerning Arshile Gorky and his family. Matta was accused of indirectly causing Gorky's suicide (in response to Matta's relationship with the Armenian-American painter's wife). This led to his expulsion from the group, but by this time Matta's own name was becoming widely known. He divided his life between Europe and South America during the 1950s and 1960s, successfully combining the political and the semi-abstract in epic surreal canvases. Matta believed that art and poetry can change lives, and was very involved in the social movements of the 1960s and 1970s. He was a strong supporter of the socialist government of president Salvador Allende in Chile. A 4x24 meter mural of his entitled The First Goal of the Chilean People, was painted over with 16 coats of paint by the military regime of Augusto Pinochet following their violent overthrow of Salvador Allende in 1973. In 2005 the mural was discovered by local officials. In 2008 the mural was completely restored at a cost of $43,000, and is displayed today in Santiago at the La Granja city hall.


Throughout his life, Matta worked with many different types of media, including ceramic, photography, and video production.


Matta died in Civitavecchia Italy on 23 November 2002

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 54585179473

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.3 ★★★★★
Based on 22 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
N
Verified Purchase
NIKI73
Draper, US
★★★★★ 5
Order with confidence!
Color: Black
Pleased with my purchase!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 26, 2026
C
coffeeandcode
Lake Worth, US
★★★★★ 4
Awesome, portable room divider for larger rooms
Color: Black, Color: Black
I chose this room divider to use in my son's room that also serves as my home office! It is 72" x 72" in size, so it truly blocks out the other side of the room for optimal privacy. Once it's assembled, it's mildly sturdy - as long as you can bet both ends with the "feet" in line with the ground. I wish that the framework poles had more of an interlocking system so that the divider was easier to erect. I assembled this on carpet, so I had some issues getting the divider to stop moving. It takes a lot of work to set up, as it is massive, so definitely have someone help you. I would suggest adding weights of some sort to the feet of this divider to keep it from shifting. I ended up leaning mine against a bookcase shelf so it wouldn't lean. All and all, this is a great product if you are looking to make a room multipurpose.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 2, 2025
J
Verified Purchase
John Grey
Cuba, US
★★★★★ 5
As described
Color: Black
Light weight, easy to put together and you can disconnect the ends and just roll the whole thing nice and tight for quick out of the way storage. Pretty sturdy, doesn't fall over if you bump into it, you could use it outside but if there's a lot of light you can see through a tiny bit if you're really close but I only tested this indoors so not sure about patio types
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 18, 2025
A
Verified Purchase
Amyth4
Boise, US
★★★★★ 2
Flimsy - choose something else
Color: Black
Very flimsy and barely stands up… better options out there.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 11, 2025
D
Verified Purchase
Daniel
Grantham, US
★★★★★ 5
Elegance and Practicality in a Lightweight Divider
Color: Mountains and Waters, Size: 4 Panel, Color: Mountains and Waters, Size: 4 Panel
Elegance and Practicality in a Lightweight Divider I recently acquired the 4 Panel Room Divider from the Furnnylane Store, opting for the Japanese mountainside print over the floral theme. Priced at $149.99, this piece not only promised functionality but also an aesthetic charm that piqued my interest. Upon arrival, the first thing I noticed was its impressive dimensions (63"W x 67"H), offering ample coverage for most standard spaces. Despite its substantial size, the divider is surprisingly lightweight, making it a breeze to move and adjust as needed throughout my home. The double-faced design is a standout feature, providing 100% blackout on both sides, which is ideal for privacy or blocking out unwanted light. This aspect was particularly appealing to me as I was looking for a solution to minimize nighttime light intrusion. The divider excels in this regard, effectively blocking and diffusing light to create a more comfortable sleeping environment. From a design perspective, the Japanese mountainside print adds a serene and picturesque element to the room. While the materials are not what one might consider artisanal, the overall look and feel of the divider are quite lovely, enhancing the room's aesthetic without overpowering it. The room divider's foldable design adds to its convenience, allowing for easy storage when not in use. It requires no assembly, which is a significant plus for those who prefer hassle-free products. The natural pinewood frame, free from chemical paints and non-toxic glues, aligns with my preference for safer, more environmentally friendly home decor. In terms of versatility, this divider has proven to be a multifaceted addition to my home. It serves not only as a practical room separator but also as a decorative piece that brings a touch of elegance and tranquility to any space it occupies. Overall, the 4 Panel Room Divider from Furnnylane is a commendable blend of form and function. Its lightweight nature, combined with the beautiful Japanese mountainside print, offers both practicality and visual appeal. While the materials may not be of the highest artisan quality, they do not detract from the divider's charm and effectiveness. This piece has been a delightful and functional addition to my home, and I would recommend it to anyone looking for an elegant solution to room separation or light blocking needs.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 1, 2024

recommand products