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Jesus Guerrero Galvan - Nino con CaracolJesus Guerrero Galvan Nino con Caracol Guerrero Galvan was born in Tonala, Jalisco, in 1910. From 1925 and until 1927 he studied at the San Antonio Art School, in Texas, and in 1928 he went to the Escuela de Pintura Libre in Guadalajara. Upon returning to Guadalajara, he joined the Banderas de Provincia group, composed of artists and intellectuals concerned with the issues facing rural regions in Mexico. This experience led him to meet influential
Jesus Guerrero Galvan - Nino con Caracol
Guerrero Galvan was born in Tonala, Jalisco, in 1910. From 1925 and until 1927 he studied at the San Antonio Art School, in Texas, and in 1928 he went to the Escuela de Pintura Libre in Guadalajara. Upon returning to Guadalajara, he joined the Banderas de Provincia group, composed of artists and intellectuals concerned with the issues facing rural regions in Mexico. This experience led him to meet influential figures such as Raúl Anguiano, José Guadalupe Zuno, and Agustín Yañéz. It was in this same city where he made his first mural. During the 1930’s he moved to Mexico City. He was, in his first years what one might call an artist of the old ways, that critics called "Italianized" painter, whose compositions brought to mind the Renaissance and the study of sketches of the great masters like Leonardo da Vinci. His theme always went around the boundaries of Mexican spirit with an italianized tonic, creating extraordinary pieces of art such as "Mujer con rebozo blanco" ("Woman with white shawl"), "Mujer de pie" ("Woman standing up") , "Niña en rosa" ("Girl in pink") and "La Nanita" ("The little Nurse"). One of his pictorial characteristics was the feminine presence with their halo of mystery and magic. Despite his financial struggles, Guerrero Galván completed his studies at the Escuela Libre de Pintura (Free School of Painting) and later moved to Mexico City, where he focused on painting murals as part of the nationalist movement, which viewed art through a revolutionary lens. After an early foray as a muralist in his home province of Jalisco, Guerrero Galván had academic schooling in the workshop of the forgotten nineteenth century master José Vizcarra. With him he developed his draftmanship skills, which he maintained as the constructive base for his pictorial work, for which, in effect, the pictures produced between 1935 and 1942 are characterized by an excellent craft technique. The influence of the classics on his work also comes from his study of and admiration for Picasso, especially the massive figures of his neoclassic period. He was part of what was called the Movimiento de Creacion Plastica, which was contemporary to the Mexican Muralist Movement. Besides mural painting, Galvan worked in oil paintings, lithographs, and illustrations. In 1947, he illustrated a book about Quetzacoatl, written by Ermilo Abreu Gomez. He is also considered to be one of the best portrait artists in Mexican history. Guerrero Galván had an intense political activity. He was co founder, along with other artists, of the "Alianza de Trabajadores de Artes Plásticas" (Plastic Arts Workers Alliance) in 1934 , and in 1959 co founder with Raul Anguiano, Orozco Romero and Juan O'Gorman of the "Unión de Pintores y Grabadores de México" (Mexican Painters and Engravers Union). In 1952 he became deputy for "Partido Popular" (Popular Party) and in 1960 he traveled through the Soviet Union, invited by several local artists. He spent his last years of life in Cuernavaca, Morelos, and died in 1973. Later in his career, he became a resident teacher at the University of New Mexico, where he created the fresco mural The Union of the Americas Associated for Freedom in 1943. His work is known for its frequent portrayal of women and children, exceptional drawing skill, and the vibrant use of color, often highlighted by light tones.
For more info call us at (323) 792-3779, or to see a greater selection of the gallery work, please visit our Artnet site at:http://www.artnet.com/galleries/mla-gallery/
For more info call us at (323) 792-3779, or to see a greater selection of the gallery work, please visit our Artnet site at:http://www.artnet.com/galleries/mla-gallery/
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4.4 ★★★★★
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★★★★★ 5
Excellent Suit for the Money. Great, rich details.
Size: X-Large, Color: Black
This is a stunning piece of clothing. The material for the vests and pants are so luxurious and make it look like you spent a lot of money. Great versatility and thick material of great quality. The material is made of a rich fabric that feels subtle and gentle, but with the patterns showing well. It fits well and allows for movement. Whether you are looking for a wedding suit, or something to wear to a gala or bow-tie event, this is it.
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Reviewed in the United States on April 12, 2026
★★★★★ 5
Buy the suit. Be sure to measure!
Size: Large, Color: Red, Size: Large, Color: Red
Suit looks better than the photo in person. The suit is also made well. Great fabric and pattern!
My son is 6'1 and weighs around 135-140 pounds. I ordered a size large for him so the pants would be long enough. The pants were a little big but it was nothing a belt could not fix. The jacket and vest fit well too. The item also arrived on time.
***Suit runs small BUT if you take out time to do the measurements you will get the correct size.***
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Reviewed in the United States on February 16, 2026
★★★★★ 5
Great Buy
Size: Large, Color: Black
True to size. Material is nice and thick. Perfect attire for Wedding or any formal event.
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Reviewed in the United States on June 3, 2026
★★★★★ 4
Pants run small
Size: 3X-Large, Color: Purple
Jacket fit .. but pants did not. Nice suit though.
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Reviewed in the United States on May 28, 2025
★★★★★ 5
Fits like a glove, looks like a million!
Size: Small, Color: Purple
Bought this as a gift for him and very impressed. Looks like a million dollars, fit true to size, looks tailored not cheap. Fabric is quality, stitching is done well and the pants have a nice hidden elastic extender that helps if he goes up or down a few pounds. Very impressed!
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Reviewed in the United States on May 14, 2026