SKU: 35264425948

Pure Irish Linen Duvet Cover

Sale price$269.10 Regular price$299.00
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Description

Pure Irish Linen Duvet CoverThe Pure White Irish Linen 1200 Duvet Cover offers an unparalleled combination of luxury, comfort, and quality. Made from 100% Irish linen with a 1200 thread count, this duvet cover is soft, smooth, and breathable, ensuring a restful nights sleep. Crafted in Ireland by skilled artisans, this duvet cover combines traditional craftsmanship with modern design, making it a timeless addition to your bedding. The tie closures keep your duvet securely in

The Pure White Irish Linen 1200 Duvet Cover offers an unparalleled combination of luxury, comfort, and quality. Made from 100% Irish linen with a 1200 thread count, this duvet cover is soft, smooth, and breathable, ensuring a restful night’s sleep.

Crafted in Ireland by skilled artisans, this duvet cover combines traditional craftsmanship with modern design, making it a timeless addition to your bedding. The tie closures keep your duvet securely in place throughout the night, while the option to choose between Hemstitch or Row Cord detailing adds a sophisticated touch to your bedding.

Made to order, this duvet cover is the perfect choice for those who appreciate the beauty of high-quality Irish linen. Complete your set with matching Pure Irish Linen Bed Sheets for a cohesive, luxurious look.

  • 100% Linen
  • 1200 thread count
  • Choice of finish: Hemstitch or Row Cord
  • Tie closures

Complete the set with the Pure Irish Linen Bed Sheets

Please note: This item is made to order. The current turnaround time is 8-10 weeks. 

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SKU: 35264425948

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4.7 ★★★★★
Based on 16 reviews
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Product Reviews
T
The Art and Making of
Grantham, US
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review. (For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 10, 2018
R
Reverend Skull
Houston, US
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2009
M
Max
Whiting, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
M
M. J. Smith
Waukegan, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Houston, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003

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