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Description
iShak Quattro NXT Digital Microplate ShakerProduct overview Microprocessor controlled for efficient performance Variable timer and speed settings Easy loading unloading of the 4 microplates Durable brushless DC motor Manufacturer's warranty: 24 months iShak Quattro NXT Digital Microplate Shaker The powerful iShak Quattro NXT digital microplate shaker from Neuation accommodates up to four microplates in a single run, maximising efficiency and productivity. The variable timer and speed settings
Product overview- Microprocessor controlled for efficient performance
- Variable timer and speed settings
- Easy loading/unloading of the 4 microplates
- Durable brushless DC motor
- Manufacturer's warranty: 24 months
iShak Quattro NXT Digital Microplate Shaker
The powerful iShak Quattro NXT digital microplate shaker from Neuation accommodates up to four microplates in a single run, maximising efficiency and productivity. The variable timer and speed settings offer optimal flexibility of use. The plates are easy to access, ensuring easy loading and unloading.
Product Details
- iShak Quattro NXT Digital Microplate Shaker from Neuation
- Microprocessor controlled for efficient performance even under high load
- Variable timer and speed settings
- Easy access to all 4 plates for easy loading and unloading
- Easy-to-read digital display
- Compatible with all standard skirted microplates
- Non-slip base for secure grip
- Durable brushless DC motor
- With pulse mode function & built-in counterweight
- Manufacturer's warranty: 24 months
Specifications
| Orbital diameter | 3 mm |
| Plate capacity | 4 microplates |
| Speed setting | 200-1200 RPM |
| Timer setting | 1-999 mins & infinite mode |
| Pulse mode | Yes, clockwise or counterclockwise |
| Dimensions | 267 x 361 x 155 mm |
| Weight | 5.4 kg |
| Protection class | IP21 |
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4.8 ★★★★★
Based on 26 reviews
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Product Reviews
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review.
(For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 10, 2018
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2009
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
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